"The Scenography, designed as an auditorium, is conceived prospectively to expand into the Teatro Ariston. Wide meshes of steel - almost streets - build a link with the outside through light paths. White triumphs as a symbol of purity of art. The music inside, thanks to these links, comes out of the outside drawing inspiration and reason to exist. The architectural elements give stage volume to represent an urban agglomeration, a city of the future. Through two video spirals that rise and fall in helical twist to help the music rise to new horizons. Acoustic arcs find verticality to help the sounds become universal ". This is how Emanuela Trixie Zitkowsky, scenographer of the 68th Sanremo Festival, recounts the encounter between light, image and architecture on the stage of the Ariston, to accompany the show of the songs in front of the millions of viewers at home and the 1273 spectators seated in the theater. "A thousand square meters of video and light transfor...